These forms may come as a shock to moral sensibilities – or might not, depending upon the cultural context of the viewer. Either way, however, the layered, carved and polished wooden forms are incredibly well-made despite the complexities involved with having opening and closing doors, drawers and other moving elements.
Whether sublime, sexy or something else entirely, each part is carved with incredible delicacy and precision – from the human forms themselves to the props with which they interact – such as the supporting object above designed to look the part of an remarkably life-like cloth draped over a dresser.
Before you begin to wonder whether this work is more sexist than sexual, it is worth noting that he has crafted male forms as well as female ones.
Still, some of the women are modeled with arguably unrealistically ‘perfect’ curves by societal standards – and the locations of some of the drawer openingsand storage spaces do leave open questions about just how erotic these pieces truly are. But perhaps that is their purpose, or at least part of the point: to create conversations, spark controversy and question our avoidance of sexually suggestive forms in contemporary furniture design.
